It’s hard to imagine Hollywood without Steven Spielberg. Spielberg’s career as a filmmaker serves as a perfect parallel for contemporary film history. From his humble beginnings outside the collection of University of Southern California wunderkinds to his commercial dominance at the multiplex, Spielberg did more than just make movies that wowed millions of people around the world: he also disrupted an entire industry, changing the way Hollywood approached filmmaking and establishing the format for blockbuster films that persists to this day.
It feels like we’ve been watching the same six or seven movies shift places on the charts for weeks now, which makes what happened this weekend such a breath of fresh air. With four new releases all cracking the charts, we’ve at least got a little bit of variety in the titles we’ll be discussing, and no The Emoji Movie near the list. I’ll put that down as a win in my book any day of the week. Here’s the estimated box office grosses as of Sunday afternoon:
It’s now been two weekends since Pennywise the Dancing Clown was unleashed upon unsuspecting audiences, and Hollywood may never be the same. Seriously. The kind of box office numbers we’re seeing right now will inspire, uh, major changes in how Hollywood tries to jump on specific trends. And while two new movies made a sort of solid showing for themselves over the weekend, the fact is this: it’s Pennywise’s world. We’re just living in it. Here’s the box office projections as of Sunday afternoon:
As we head deeper into September, two things have become pretty clear about 2017 box office numbers: one, Hollywood desperately needs to bounce back a little bit from the doldrums of August, and two, whoever decided to hedge their studio’s bets with a September release date for a movie about a killer clown is looking like a [profanity] genius right about now. We’ll get to all of that in a moment, but first, here are the box office numbers as of Sunday afternoon:
Oh, Christian Grey and Anastasia Steele. When are those two crazy kids ever going to get together? There’s is a love story we can all relate to: she, the inexperienced college student and would-be journalist, and he, the millionaire Seattle playboy, willing to teach her in the practice of love. Would their shared appreciation for BDSM be enough to overcome their differences and help them find true love? I don’t know for sure, but based on this first teaser trailer for Fifty Shades Freed, I’m going to venture that the answer to that question is yes.
In Hollywood’s race to reboot, remake, and just generally fix every one of its disappointing superhero franchises, the one nut studios haven’t been able to crack is the Fantastic Four. We’re now three movies and two unique cinematic universes into that particular franchise, and none of them have lived up to the potential of their iconic characters. So when it was announced a few months ago that 20th Century Fox would be angling for a more kid-friendly reboot of the Fantastic Four, people figured, sure, why not. I mean, it’s not like they’re going to muck up these movies any worse.
You know who’s having quite the August? Josh Brolin is having quite the August. The past few weeks have brought us no fewer than three decent-sized stories featuring Brolin’s work, including our first look at his character in Deadpool 2, the news that he had been cut from George Clooney’s upcoming Suburbicon, and, perhaps my most favorite, the fact that James Cameron cussed him out for turning down a role in Avatar 2. Some actors are lucky if they have a single movie make news headlines in a month; Brolin has made the rounds with three fun stories from three entirely separate franchises.
There are bad weekends, there are bad weekends, and then there are historically terrible weekends the likes of which haven’t been seen in decades. Guess which one applies to this past weekend? With the overall box office dipping more than $30 million from last week, and the overall numbers landing as historically bad, we seem to be ending August on a terrible note. Nevertheless, here are the box office numbers through Sunday afternoon:
Welcome to Augusts, where overall weekend grosses can decline for three consecutive weekends — $122, $116, and $95 million, respectively — and a new action-comedy can be the surprise winner of the weekend. Audiences might still be interested in creepy dolls, but it was a hyper-violent buddy film about professional killers that took home the gold. Here’s the box office projections, as of Sunday afternoon:
Today the world of comedy lost one of its brightest stars. Jerry Lewis was no stranger to controversy during his decades-long career, but his impact on both Hollywood and comedy in general cannot be denied. From his early days as Dean Martin’s partner-in-crime to his career-capping turn in Martin Scorsese’s The King of Comedy — and countless box office success in the interim — Lewis’s impact on Hollywood will be a source of much discussion for years to come.
Leonardo DiCaprio has made a career out of playing historical individuals who were too smart for their own good. From Catch Me If You Can to The Aviator to J. Edgar to The Wolf of Wall Street, DiCaprio’s niche is to play fiercely intelligent men whose vision often exceeded their grasp. So who better to play someone as notoriously ahead of his time — and just as notoriously impatient when it came to finishing projects — as Leonardo da Vinci? The world-renowned painter, architect, and inventor will apparently be the subject of an upcoming biography, one that DiCaprio’s production company quickly snapped up before it even hit bookshelves.
We’ve reached the doldrums of August, where studios release the titles not marketable enough for the summer movie season and not quality enough for serious award consideration. That means an odd mixture of horror films, formerly prestigious movies that have lost a little bit of their luster, and absolute junk just looking for a few screens to dominate for a couple of weeks. Oh, and what do you know? That perfectly describes this weekend’s new releases! Gee!
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