If you haven’t watched Seth Rogen and Evan Goldberg’s ‘The Interview’ yet, either because you’re too cheap to spend $6 to rent it online, or you were worried North Korean hackers would catch you buying it and share your private emails slagging your boss with the world (I’m sorry Mike! When I called you “a giant goober,” I meant that in an affectionate way, like Goobers candy! Which everyone loves!) you are in luck. As part of their quarterly letter to shareholders, Netflix announced that they will “exclusively” offer the comedy to its U.S. and Canadian customers starting this Saturday, January 24. Sorry Netflix Netherlands! You’re out of luck for now.
‘American Sniper’ had a record-shattering weekend at the box office, grossing an astounding $105 million from Friday to Monday. It’s already the second biggest earner of Clint Eastwood’s entire career after ‘Gran Torino,’ and with six Academy Award nominations (and great word-of-mouth) behind it, it’s posed to become his biggest hit ever.
Dig this, blockheads: The ‘Peanuts’ gang, originally created by cartoonist Charles Schulz, have appeared in so many incarnations in their 65-year history. They’ve been a comic strip, a series of much-beloved television specials, a Broadway musical, greeting card staples, and even the successful pitchmen for life insurance. Now, for the first time, they’re becoming a 3D feature film, with this year’s ‘The Peanuts Movie.’
“Nothing is over!” These are the words of Col. John J Rambo, the hero of ‘First Blood’ (better known as ‘Rambo’) and then ‘Rambo: First Blood Part II’ and then ‘Rambo III’ (the only one people call by its actual title and then ‘Rambo’ (better known as ‘Old Rambo’). After what basically amounts to a movie-long chase, ‘First Blood’ concludes with a heartfelt speech from star Sylvester Stallone, explaining how nothing (meaning the Vietnam War) is over for him; that his mind is too scarred from his brutal deeds and by the cruel treatment he’s received on the homefront. It’s a powerful (if occasionally incomprehensible) scene.
In the fall of 2013, APCO Worldside surveyed 70,000 people about the world’s biggest brands. They measured their responses in eight different ways—“understanding, approachability, relevance, admiration, curiosity, identification, empowerment, and pride.” The number one most loved company out of 600 choices: Disney.
I know one reaction I’ve had to the (allegedly) North Korean hackers and their attack on Sony and their movie ‘The Interview’ is “Why now?” Seth Rogen and Evan Goldberg are not the first American filmmakers to make fun of North Korea, or even its real-life leaders. ‘Team America: World Police,’ for example, featured a marionette-version of late North Korean dictator Kim Jong-il, who wants to destroy Western Civilization (but is also very lonely); the 2012 ‘Red Dawn’ remake actually changed its Asian invaders from Chinese to North Koreans in post-production because at the time that seemed like the more politically and financially safe choice. That’s not going to happen again anytime soon.
J.J. Abrams is famous for keeping secrets. His whole schtick as a director is the “mystery box”—finding pleasure in the unknown, and in the tease of that uncertainty. He didn’t show the monster in the trailer for ‘Cloverfield’; hell he didn’t even show the title of the movie in the trailer for ‘Cloverfield.’ If J.J. Abrams could release a movie without telling you anything about it, he probably would.
‘The Hunger Games: Mockingjay - Part 1’ is a movie comprised almost entirely of deleted scenes. As it says right in the title, this isn’t the final chapter of ‘The Hunger Games’ series; it’s just the first half of the final chapter, and that’s exactly what it feels like. It’s table setting for a meal that won’t be served until next November. ‘Mockingjay - Part 1’ is good-looking, well-acted, and utterly inessential.
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